92 Royalty-Free Audio Tracks for "Hand Percussion"

Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.

Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.

Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.

Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.

Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.

Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.

Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.

Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.

Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.

Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.

Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.

Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.

Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.

Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.

Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.

Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.

Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.

Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.

Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.

Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.

Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.

Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.

Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.

Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.

Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.

Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.

Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.

Some simple claps i recorded with an sm7b. Raw and fairly unedited. (some gain compression used to boost the low-mid frequencies. )great for layering on top of each other! -eg.

Me playing a rhythm on a little hand drum at the nut house back in 2019. From the bangersound cyphers vol. 39 sample pack.

Sample of some drum sounds made with a plastic bag drum: a plastic bag is stretched over a cylindrical object (in this case an empty cd-r spindle).

Raw percussive type synth sound made by hitting muted string on a guitar that is connected to boss sy-1 synth pedal with a palm of the hand. Best used with a sampler and a lot of effects.

When i came to the strange decision to try recording my poems as songs i looked for ambience around the house. Silver tube inset in wood with mallet to create different singing bowl like effect.

Just a few hand claps i layered, compressed, and added a touch of reverb. I use this sample in my own songs all the time. Just a nice layer to put under the backbeat, not a crazy, huge clap to use on its own. I'd love if you'd credit joshua scott or rjc studios if you use this sample, but don't sweat it if you don't. Good artists borrow, great artists steal.

This is a basic drum loop featuring a performance on the udu, a middle eastern hand drum. The stereo sample actually consists of the same rhythmic patttern performed on two individual drums of different pitches assigned to the left and right stereo channels. This loop would work well for a bollywood-style production or anything requiring a little bit of mid-eastern flair. Enjoy! feedback welcome.

That's a sound coming from a cool hand beat on a wood in a laboratory which contains materials of all types situated in the underground floor in universidad europea of madrid. 26/09/2015 16h pmrecorded with a "h4n recorder". Edited with adobe audition cc (2015).

Quadruple finger snaps, recorded with a tlm 102. These are performed by alternately snapping with the ring and middle fingers of each hand. The snap samples are arranged from lowest spacing (all snaps happening at the same time) to highest (larger delay between individual finger snaps).

. Wave, 44. 1khz, 24bit, stereorecording device: zoom h2n with xy-capsulelow-cut: yes (80hz)normalized to -1dbfs. Location: leuphana universität lüneburg, cantine meadowlat: 53. 2287100511733lon: 10. 398634672164917. Date: 2013-12-02, 13:00h. Recorded and edited by: falko harriehausen. This recording was created in the framework of the seminar "soundscape leuphana (ws13/14)".

Made from different sounds recorded from my metal thermos (24 oz) bottle by striking it with my hand. Recorded on iphone, sequenced in logic. These sounds can be downloaded from my 'metal bottle' pack and are totally cc0!.

Hitting a metal plate on a door by hand. Wave, 44. 1khz, 24bit, stereorecording device: olympus ls10 with xy-capsulelow-cut: yes (80hz)normalized to -1dbfs. Location: leuphana universität lüneburg, gebäude c5. Lat: 53. 22899906361599lon: 10. 399527847766876. Date: 2013-12-09, 14:00hrecorded and edited by: marlin nöthig, martin tege, david nackethis recording was created in the framework of the seminar "soundscape leuphana (ws13/14)".

All original royalty-free sound fx, virtual instruments, loops and music by nova sound technology. We need your support to continue this operation! you can support by:. Subscribe to our youtube channel https://www. Youtube. Com/user/novasoundwav. And leave a comment below!. Join our mailing list at https://www. Novasoundwav. Com/pages/fr. . . For more free downloads and updates. Subscribe to our soundcloud at https://soundcloud. Com/novasoundwav. Follow us on ig: https://www. Instagram. Com/novasoundwav/. Follow us on twitter: https://twitter. Com/novasoundwav. More all original sound fx, available at novasoundwav. Com.

Sound of balinese chimes recorded with tascam dr-60 d mkii linear recorder and pair of akg p120 electret condenser microphones on a stagg smc3 3m xlr cable. Knobs of sensitivity were turned in position of highest sensitivity. Microphones were configured as stereo pair and placed face to face in front of each other in distance of 75cm. Microphones placed on stands. Chimes was held in the hand between mics along the way of sight of them, with smallest bell on the side of right microphone. Recorded afternoon in a bedroom with closed door and windows in a house next to high street. Recorded in 96khz and 24bit. Trimmed and normalized in flstudio edison. Normalization made sample 32bit.

This is a collection of "small room reverb" impulse responses that i sampled in a new england home known as butternut lodge, built and owned by actress bette davis back in 1940. It consists of all wooden rooms with many non-parallel surfaces, rugs and furniture and includes 3 round-shaped "silo" rooms! these rooms sound clean and do not have the irritating "ping" of many rectangular rooms. Short history/pictures of butternut (https://www. Airbnb. Com/rooms/24692769?source_impression_id=p3_1659215694_liuasyfxoceab5fn). Although these round shapes (and some of the other very small rooms) could potentially wreak havoc with phase at specific frequencies when summed to mono, i recorded this using the mid/side mic technique; therefore, the "side" channels fully cancel out, leaving a clean monaural reverb signal. These irs are stored as flac files. They can be used directly by any daw without conversion and have the added feature of being id3 tagged with a photo of the room each ir is taken from. After downloading, select view -> large icons in the folder to view the rooms. I sampled each room using a swept sine wave into a jbl flip 6 bluetooth speaker; recorded through a tascam tm-st1 m/s stereo microphone, feeding a tascam dr-07 recorder @ 24-bits 44. 1 khz and deconvolved using reaper. As of this post, i've been using these rooms for about 2 weeks. So far, i've found the "garage" to sound fantastic on drums! the drum sound! also, many of the other smaller rooms have a great effect on guitars, keys, and hand percussion. Each room varies in tone and brightness, so i've found that selecting/tuning the reverb send works well if approached like an eq. Increase the effect send until the instrument "feels" right (then perhaps back off slightly). A close-miked acoustic guitar, for instance, will take on a nice brightness and 3-d quality; not particularly reverberant, just big. At that point, i recommend applying any eq, compression, and bigger-sounding reverb effects. Hopefully you enjoy this. Please let me know how you like it and if you have any suggestions. Cheers!. Ken.